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Many of these live European concerts have been available as bootlegs with often inferior sound. The Stefaniensaal in Graz, Austria, was the setting for this concert. Their reception in 1961 was a mixed bag, some audience members couldn't follow the the more 'out' music, yet devotees couldn't get enough.ĭolphy left to form his own group and the European tour of Coltrane's quartet 1962 included a dozen cities. Dolphy represented Coltrane's restless nature and the changes happening in jazz, from Ornette Coleman to Cecil Taylor. He had a jukebox hit with his cover of "My Favorite Things," which he chose to push into the stratosphere by touring Europe with Eric Dolphy in 1961. His career was taking off in multi-directions. By 1962, the saxophonist had served two long stints with the Miles Davis Quintet, and performed with Thelonious Monk in that six month gig at the Bowery's Five Spot. Of course the "classic" designation would come later, after the Impulse! recordings Coltrane (1962) Ballads (1962), Live At Birdland (1963), Crescent (1964), and of course A Love Supreme (1964). The year was 1962 and Coltrane had formed his classic quartet with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. Both a time capsule and a seed capsule, one that continues to pollinate today's music. Sixty years after John Coltrane's quartet toured Europe, this radio broadcast with its excellent audio fidelity opens like a capsule. Beginning through Advanced.This live concert is a welcome excuse to go to your happy place. Personal guidance from an expert, caring teacher. This extensive, well-sequenced video course will get you playing jazz standards with a sense of flow and fluency. This sounds great too!Įnjoy the journey, and “let the music flow!”Ī podcast to help you learn jazz piano more effectively
#The inch worm jazz full
(Or, begin your solo with the major 7ths and switch to dominant 7ths halfway through.) Another option is to stay with the complete chord progression of the full song. Keeping them as major 7ths, instead of changing them to dominants, gives the progression a completely different flavor. How about using the first 2 chords of the actual song? Play them as FMaj7 and EbMaj7. This can sound great and you should try it.
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The Real Book follows the Coltrane example and suggests that we use just 2 chords, F13 and Eb13, for soloing. What’s your individual voice as an artist? In fact, the Patricia Barber video I’ve linked to above is a bold example of someone who goes in a completely different direction with it, which reflects her individual voice as an artist. When you’re soloing on “Inchworm,” don’t feel like you necessarily have to follow what Coltrane did with it. Musical ideas and jazz piano practice tips: Patricia Barber: Montreal Jazz Festival, 2001 (video) (for international readers who may not have access to these YouTube links, I’ve indicated the original album names wherever possible so you can listen to them on music streaming services, etc.)
#The inch worm jazz movie
“The Inch Worm” was written by the great songwriter Frank Loesser, who also composed the music for the Broadway musical Guys And Dolls and the song “Baby, It’s Cold Outside.” It’s a little ironic that this is the Frank Loesser song that made it into The Real Book, because it’s one of his least-jazzy songs! Even though Loesser specialized in using jazz chords and progressions for his musical theater tunes, he composed “The Inchworm” for a very different purpose it was featured as a “children’s song” in the 1952 movie Hans Christian Anderson, about the famous author of children’s stories.īut it does belong in The Real Book for a very simple reason: John Coltrane played a famous jazz version on his 1962 album, “Coltrane.” A Guide To Help You Play Better Jazz Piano